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Ableton Push Performance: Jesse Abayomi aka Zone3 is a man of many talents - in addition to his daytime role as Ableton Product Specialist, Jesse is a musician, DJ, and label-owner, not to mention an excellent Push performer. In this video, Jesse performs one of his recent tracks, “Chemistry”.

This video is part of a set of videos showing artists creating a track with Push in one take – shot with one steady-camera in real-time. Watch the series: https://www.youtube.com/playlist?acti...

Jesse’s Live Set allows him to recreate his tracks in Push - take a close look at the set, including Drum Racks and Max for Live instruments, in this video:
http://youtu.be/LQR9ZHiEF1A

Download “Chemistry”:
https://www.ableton.com/en/blog/abayo...

Learn more about Push:
https://www.ableton.com/en/push/

#abletonpush #abayomi #pushperformance

▶▶▶ Download FREE Demo: http://bitly.com/pusherfreebie

FULL SAMPLE PACK: https://primeloops.com/pusher-future-...


This 3 part serum tutorial on how to make Future Bass with Serum is a great start to learning to produce with this increasingly popular plugin by Xsfer Records. There are walkthrough step by step instructions below:


1. Set OSC A to PWM Juno and OSC B to PWM Inception. On OSCB turn up the wavetable position to around 40.

2. Turn on the filter and set it to ‘Band 12’. Make sure the Res is turned down. Set the cutoff to around 240z. Also, switch on the routing for OSCB by clicking the small box with a ‘B’ next to it.

3. Set up LFO1 with a decaying slope and set the Rate to 1/8.

4. Use LFO1 to modulate the ‘wt-position’ of OSC A so the range moves the position up about
1/3rd.

5. Use LFO1 to modulate the cutoff to a value of about 100, making sure it is in bi-lateral mode (it
should be by default, if not head over the the Matrix and click the arrow).

6. Next set LFO2 to a rate of 2 bars, leaving the shape as it is, and use it to modulate the wt-
position of both OSCA and OSCB up to the top of their ranges. This will create some slower
movement within the patch.

7. Select LFO3, set the rate to 1/8 and drag the curve into a concave shape so it decays very
quickly.

8. Turn on the NOISE oscillator and modulate with LFO3. This gives a snappy attack to each of
our stabs, so vary the modulation amount making sure it doesn’t stick out too much.

9. Head over the the FX tab and turn on HYPER/DIMENSION. on the HYPER side of the effect
bring down the mix slightly as well as the detune and rate.
10. Next, turn on the CHORUS, adjusting the mix to taste.
11. Finally, add REVERB. Bring down the mix a touch, bring up the low-cut (to remove any
unwanted low frequencies) and pull down the size to make sure the tail doesn’t get in the way
of the rest of the sound.

12. For an extra added layer of control, assign the mod wheel to manipulate the filter cutoff and the
reverb mix, so that at the top of the range there’s more high frequency content and more reverb. You can do this by right-clicking on the desired parameters and and choosing ‘Mod Wheel’ from the ‘Mod Source’ drop down menu.

https://www.pointblankmusicschool.com/ In this video tutorial Ski Oakenfull (Primaudial Records) shows you how to create another great Ableton Live rack. Here's what he had to say about it.

"Taking inspiration from Deep House don and Freerange Records label boss Jimpster, I wanted to have a go at recreating a musical pattern I heard recently on one of his tracks.

I loved the way the rhythm of the pattern lay on the off beat, so I set about trying to figure a way to achieve this in Ableton."

the Rack can be downloaded here:
http://www.skioakenfull.com/sounds/ar...

and the delay calculator he uses is here:
http://www.thewhippinpost.co.uk/tools...

Find out more about our Electronic Music Compostition course developed by Ski here:
http://bit.ly/2m7XGdP

Point Blank music school, based in London, has been voted "Best Music Production & DJ College" six times at the annual T-Scan Awards. We offer professional tutorage and guidance (both here in London and online) in a various aspects of the music industry, from production and DJ skills to, singing, radio production, and music business. Our courses are led by successful producers, artists, singers and industry insiders who teach in a switched-on environment with regular visits from industry figureheads, DJs, producers and more. If you want a solid grounding in any of the above skills, plus increased job opportunities, then Point Blank is the place for you. Please head over our website to find out more about our courses :: https://www.pointblankmusicschool.com/
Point Blank Music Production College prides itself on:-
Personalised teaching from music industry professionals.
Small, intimate classes with state-of-the-art equipment.
Real connections to the music industry.
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Reliability, experience and credibility (over 15 years in business).